regained.
"Looking in trunk of memories, uuuu ...". Joking aside, from time to time, I reunited with old songs and not so old, that make you want to hear again some groups. Maxime when you discover that, although forgotten by you, these are still making music. Naive and uneducated, maybe. Although the group of the month I have it awarded to Peter, Bjorn & John , know that this is not so far be achieved.
This is the case with Frank Popp, forgotten by me from his great success "Hip Teens (Do not wear blue jeans)." Returned to win with the last album they released "Touch and Go" and simple "the world is waiting."
I curl, I leave the review to make the Friends Acid Jazz Hispano and I attached some videos for you to enjoy as much as me.
If you're reading this because you have more than once danced to the rhythm of Hip teens (do not wear blue jeans), perhaps to have asked the subject to a DJ, while on the other hand, if you have exercised DJ, in all likelihood you have clicked the track, causing joy of the enthusiastic audience. If, however, still have not heard that theme, I am convinced that you'll soon make him, and as you discover its infectious rhythm understand this introduction. A few months after its release, Ride on, German byte debut Frank Popp Ensemble (or, rather, a duo accompanied by six musicians), became one of those albums which quickly attracted the attention of a diverse audience. Sooner or later, an acquaintance recommended it to you, you hear a friend's house: Hip teens (do not wear blue jeans), work badge issue was the hit of the season while the anthem was crowned in clubs, while the video was one of the most popular. Several themes were selected for television advertisements and sales, therefore, be fired. Ride on, was, in short, the phenomenon of the season and Frank Popp Ensemble, the top band (just remember their crowded tour 2003).
All born thanks to the initiative of DJ Frank Popp, an almost crazed lover of pop kitsch and psychedelic bombast of 60 and 70. But do not end there Ride on the influences of which differs from a mere post-rock revival, as well as for not taking itself seriously (if not fun listen samples taken from films, German if I remember correctly) by enrich the set with funky breaks, soul, lounge, jazz arrangements, echoes of spy soundtracks and all the resources of the electronic music club. The result is a cocktail that follows an unstoppable energy, something like a vitamin preparation, pre-or post-party. From the memorable Hip teens (do not wear blue jeans), one of the strongest productions of this decade, through the lounge bossanova Belly, reaching the final price is The rural assiduity (jewel that grows with listeners), Ride On is a gift for the ears and a wave of fresh air for the record mercato.
safety and enjoyment.
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